- Damned Rain.
-

freefisheater
- October 10th, 2002
It's 11:13 now and the rain is pissing me off. I am at the studio and have been here for quite a while now. The power went out all over Manila at nine-quarter. And the thunder is louder than a monkeys in heat. But not in that way. Nothing gets to me more than having beautiful art you're in love with go to so much waste.
I arrived here at around three this afternoon and almost immediately began to work. I wanted to start on "Lipad" and wrote some lines for it on the spot. I'm pretty happy with it, though I hope I don't get buried in the mix. We finished layering, EQ, saving and bouncing the tracks for it before we begin work on the second song for the night - "Cruisin'" It was seven thirty when we decided to take an hour break for the computer to automate the EQ and bounce everything so we went out to talk a bit around the conference area. I headed back into the studio at around eight thirty to try to come up with a muted guitar line for the song. After everything, we started recording at nine o' five. For ten minutes I had accomplished six tracks of textural layers - all "live" - and then the damned power went the fuck out. I feel so bad, now, as I really loved what I was coming up with for that song. I had been struggling for some fresh and original supporting fills since I first heard the song - abandoning at least two dozen ideas with four different instruments. And I finally thought I had found it tonight. I hate it when that happens. (The "term paper" phenomenon - you're on a roll when the power goes out before you can save any of it.)
We decide to move out to the conference area after the power goes out. And it's really... cold out here. The rain is so hard that the floor near the windows is drenched in cold rainwater. After moving the table and shutting all the windows we take our seats to eat, drink, smoke and talk. We finish off the pizza and garlic bread left over from our six o' clock dinner washed down with Pepsi and 7-Up from the same pensive meal. We can't find any candles to lift the darkness brought by this cold. Not even the aromatherapy ones Jen brought in for us last week. My spine is chilling. Our faces are lit up only by the cigarette embers and the ideas and conversation flying around the room. Every sentence lingering in the air punctuated by annoyingly loud claps of thunder.
I'm thankful for this breather. It's been quite a while since I've actually been able to sit down with the guys and just talk. The last time we did something like this was when I just joined the band - nearly half a year ago. And this is the first time we've all been completely together. I was apprehensive, at first, with all the waves of anxiety appreciably incurred by the generation gap - I'm the youngest in the room by a good eight years. Surprisingly, though, there is no gap. We talk about music. We talk about art. We talk about art in music. About film. About music in film. Theater. Music in theater. Alright, it's more than just that. FireWire, computer games, the World Cup, Busan, bar hopping, strippers - I'm surprisingly comfortable with all of these guys. There is no need to digress that "this happened before I was born" or "it's not in your generation" or anything like that. They're as in touch with my generation as I am with theirs. Especially the 70's - our consensus it's the last bastion of musical hope. We share a passion for classic rock - Jackson Browne, Pink Floyd, Janis Joplin, Yes, The Who, Joni Mitchell. The true poets. True musicians. And this passion spills into everything else we do. Work, hobbies, friends, family and life. I may be the only one without children, has never been married and doesn't hold a regular day job, but that never stops us from being friends.
...
I'm listening to Jackson Browne's Running On Empty on Jong's MD Walkman. Must find vinyl. By far the greatest studio production I've ever heard. Check out the track I'm listening to right now and you'll know what I mean - the song starts out recorded in the hotel room (Room 210, if you'd like to know) and then it segues into a live performance of the same song. And everything sounds exactly the same. The voice (although with some reverb for that live sound), the violin, the piano - all exactly the same. Perfectly balanced EQ and panning. The only differences are the audience cheers, the full band and orchestra plus the drum and backup vocals. Recorded on a performance of the song during a previous album tour. It's just got to be heard to be believed.
...
It's now midnight. The pizza is gone and the power is back up. We all plan to retire early tonight, though. I burn a copy of the album (my... ninth copy) with my new "Lipad" before I pack up my violin and guitar. I'm tired. I still regret the loss of those lines, but now I am not as angry as I was when the rain first took my music.
After all, the rain is always what births it in the first place.
00:08, and on my way home.